TONE POET TRACKER

Editorial Context

Joe Henderson on tenor saxophone, Ron Carter on bass, and Al Foster on drums captured live in 1985 playing at the peak of their respective powers at NYC’s historic jazz shrine, The Village Vanguard. Alfred Lion, founder of Blue Note Records and its sole producer until 1967, said upon hearing these sessions: “I think this is truly a classic album. What Joe plays is unbelievable. This is one of the most important albums that I have ever heard. It is definitely one of the best ever made on Blue Note. And I don’t mean the new Blue Note. It’s one of the best ever, including all of the records we did in the 50s and 60s." Blue Note Tone Poet Series The Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels. Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering by Kevin Gray to superb 180g audiophile LP pressings by Record Technology Inc. Every aspect of these Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio), pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket. Tracklist: A1. Beatrice A2. Friday The Thirteenth A3. Happy Reunion B1. Loose Change B2. Ask Me Now B3. Isotope