TONE POET TRACKER

Editorial Context

Stanley Turrentine’s 1960s Blue Note output was reliably excellent, but this 1964 session featuring his thick, blues-drenched tenor saxophone backed by organist Shirley Scott, guitarist Kenny Burrell, bassist Bob Cranshaw, and drummer Otis Finch, surely ranks with his very best. From the relentless groove of “Trouble (No. 2)” to the scorching dialog between Turrentine and Burrell on “Ladyfingers” to the deep swinging blues of the title track, Hustlin’ is must-have music for fans of Stanley Turrentine. Blue Note Tone Poet Series The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels. Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT. Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI). Tracklist: A1: Trouble (No. 2) A2: Love Letters A3: The Hustler B1: Ladyfingers B2: Something Happens To Me B3: Goin' Home